Even though Canada has typically lagged behind the seminal literary movements the past centenary, the following linked article reveals a ray of actual light in a too-long theoretical tunnel. Just as retro May Parisian runway fashions juice the clothing industry, anachronistic elements -- people, physical objects, emotions -- may be a boon and a grace for literature this side of the Atlantic, too. (The hyperbole arrow's only at 90 degress.)
"The French are aware of their waning influence in world literature. For the most part this is attributed to the way critical theory has dominated literature from the 1980s on; put simply, French readers, brought up on the diamond-hard prose of Flaubert or Zola, or the musicality of Baudelaire or Hugo, were sick of theory and theorists, and the stodgy, indigestible and incomprehensible literature they inspired."
"a distinct resistance movement to theory has recently been gaining ground with French authors. The present crop of young writers are rediscovering the pleasure of writing to be read rather than studied."
The entire article below: